ValhallaDSP Bundle 2024 WiN
TEAM V.R | 18 March 2024 | 12 MB
Win64; AAX*, VST3, VST
Viewed 105337 By Music Producers.
Bucketverb imagines an alternate history in which a rare bucket brigade delay (BBD) chip evolved into a sophisticated hardware unit perfect for ambience, lo-fi detuned decay, vocal presence, and more. Unlike standard, single-output BBD delays, analog reverbs used a special multi-tap BBD chip to create multiple simultaneous delay times. Sadly, this effect only showed up in a handful of products, before being swept out of popularity by the rise of digital reverbs.
The Lowender plug-in is a subharmonic synthesizer reminiscent of classic analog dual-band bass enhancer circuits. More than a simple EQ, the Lowender creates new bass content from your existing audio material. From post-production houses to disco floors, from high-powered live sound to rock, dub, and metal studio productions, the characteristic rumble of the subharmonic synthesizer has been an engineer’s best-kept secret for years. Now, finally, you can get those low lows from within your favorite DAW application!.
Vac Attack is an analog-modeled optical limiter plugin that’s intended to control the dynamics of individual tracks and groups. The vacuum tube saturation circuit introduces harmonically-rich warmth and character to vocals, drums, basses, and your stereo bus.
The P455 MDN Sidecar is a summing and 2-bus mixing and mastering audio plugin capturing the analog chain, a two-time Grammy and French Academy Award-nominated mixing engineer, music producer, creative director and educator. The P455 delivers Marc’s analog workflow which includes analog summing, tube driven stereo imaging, 2-bus punchy stereo EQ, custom glue 2-bus compressor and the unique character of two high end analog to digital converters. The P455 MDN Sidecar isn’t just a plugin; it’s a calibrated blend of Marc’s seasoned approach and Pulsar Modular progressive audio design with focus on musicality at each step of the signal path.
The Mono/Poly is Korg’s four-VCO monophonic/polyphonic synthesizer that went on sale in 1981 and was considered the culmination of Korg’s experience building analog synthesizers. It was released at the same time as the Polysix, and because of their capabilities, these two magesy instruments caused a revolution in the synthesizer world. Many musicians acclaimed the Mono/Poly as Korg’s best synthesizer yet, with a number of unique characteristics. It provided four VCOs, each providing adjustable pitch, waveform, octave, and level, which could be stacked together for massive sounds, or cycled through one at a time for constantly shifting timbres. Together with one VCF, one VCA, two EGs, and two MGs it provided a powerful yet accessible programming structure.
Reviver creates harmonic distortion, a sound which is often connected to vintage gear. It does not emulate analog equipment, but instead gives the user full control of overtone generation and volume. Despite this high level of controllability, Reviver’s user interface is intuitive and provides the desired result after just a few mouse clicks.